Let me start by saying that this review is probably helplessly biased. Because, in my eyes, when it comes to dystopian novels featuring women, Ms. Atwood is tops.I mean, The Handmaid's Tale is absolutely a classic, a staple in any dystopia-lovers collection, as necessary, if you ask me, as Brave New World or 1984. It is one of those dystopias that has the society as the perfect backdrop and compliment to the real meat of the story--the individual's life. And, if we thought she'd outdone herself with the Puritanistic society in THT, she blows us (or at least me) totally away with Oryx and Crake, which I've been fervently recommending to people since I read it a few years back. It. Was. Baller.
And not only because I happen to have a fondness for science-fictiony stuff that focuses on great storytelling. The world Atwood created in Oryx and Crake was unbelievably real. Down to the very extinction of animals, and the ability to watch executions online. It was the very picture of what could really happen to our current society with a little ballooning and enough time. That's what I loved most about it--how I could really see what was going on in our society dissolving into her world of fiction based in fact. It was mesmerizing.
But then, when I heard that The Year of the Flood was coming out, I have to admit that I was totally skeptical. Despite absolutely adoring Oryx and Crake, I've seen enough bad sequels to think twice. Even good authors sometimes take a nosedive, and I really wasn't looking forward to slashing and burning what I'd loved about O and C in a sequel.
But what Atwood does (serves me right for ever doubting her!) is incredible. Both from a fiction-writing standpoint and from a series standpoint. The Year of the Flood is neither a sequel nor a prequel. It's a simultane-quel, a retelling of an already incredible story, but the retelling happens in such a way that makes it unlike anything else I've ever read. Specifically, The Year of the Flood happens not to the main characters from Oryx and Crake, but nor does it happen to completely unrelated individuals. The focus of this new novel are characters who are exactly one step removed from the people in Oryx and Crake--friends of friends, almost--which makes them perfect story-bearers who know enough of the conspiracy but who also have their own lives and own problems.
Even without reading Oryx and Crake (it's been a real while since I read it, so most of the details had faded away, sadly), The Year of the Flood still makes perfect sense and is a novel that can stand alone in its own right. And, even better (?) it offers the same kind of world-building satisfaction that Atwood accomplishes in the first novel. The facets of this new, futuristic world are developed further, and we even get to experience aspects of the society that we'd never seen before. All in all, it makes perfect sense that Atwood wrote this second novel--she obviously had more story left to tell in this incredibly developed world that she invented, and who wants to leave when they're only half-finished?
I also loved that Atwood's focus here was on two main women -- Toby and Ren, who live together in this religious commune known as the Gardeners. They are both strong characters, both real in different ways, earthy and relatable and modern all at once. They exemplify what Atwood does best in my eyes; no matter what her story or plot, she always remembers that it's characters and people that move things forward. And, no matter if it's the past of the future, people's fundamental issues and insecurities will always make them relateable. After all, we're only human.
My one fairly infinitesimal gripe (and the reason I lowered the score by half a star) was that the plot seemed sort of slow to start and get going; though the found the second half utterly tantalizing, I found the beginning of Oryx and Crake to be better, somehow, at drawing you in and keeping up the pace. Either way, fantastic read. Highly recommended.
FINAL VERDICT:
**** and 1/2 out of *****
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